CANDYMAN
Bernard Rose (1992)
3.5 STARS
Released towards the end of a sustained period of slasher films, Candyman attempted, and, for the most part, succeeded, in re-imagining the trope-ridden genre. On researching urban myths, a scholar is submerged in to black-culture as the evidence surrounding the Candyman becomes overwhelmingly tangible. Race is a key element in the film and begins to deal with this in a pro-active manner, our protagonist even states the in-equality in police only responding to a series of murders once it affects the white characters. Unfortunately, this doesn’t make up for the use of black stereo-type. If this film was written or directed by peoples of colour, it might well stand the test of time better. Alas, as it stands, it leans more on the side of black-sploitation than progression in cinema.
The film has a great premise, based on a myth we were all aware of as children; saying a name in to a mirror a certain number of times. This is supported by a grim back-story and thoughtful plot progression. The ending in particular brings an eerie conclusion to a suspenseful hundred minutes. Some great special effects moments are scattered between some other, not so well executed, moments but it is easy to ignore these and immerse into the universe.
On analysing the film, it is impossible to refrain ones-self from comparing Candyman to its predecessors. While it is leagues above a lot of the sequel slasher films being released at the time, it is not on the level of the originals. 1974’s Black Christmas, often credited with kicking off this sub-genre, is well followed by the likes of Michael Myers, Jason (or Pamela) Vorhees and Freddy Kreuger, and Candyman will always be seen as a lower tier villain. The release of Scream four years later would truly subvert the genre in a more well received manner and push the slasher in to the new century. Candyman is well worth the time to watch with some good scares and solid plot, but only once the audience is well acquainted with the stronger films of the genre.
Watch this film, consider how hard life can be for some people. Ponder the injustices suffered the world over. Be sure to sit through the credits that are interspersed with updates on the lives of the characters post McMillian’s trial. Then blow your nose and wipe your eyes knowing that this film has, and will continue to have, a positive impact on our society.